In the 2001 FLAC version, the orchestral stab at the 0:08 mark has sharp attack and immediate decay. The stereo separation is wide; you can hear the backing vocals panned hard left and right. In compressed MP3 or streaming versions, this soundstage collapses. The "FLAC better" argument holds here because the lossless format retains the air between the instruments. You hear the recording room's natural reverb, which is lost in lossy codecs.

: While some critics found the 2001 CD mix to be "quiet" or slightly "distant", a lossless FLAC capture of the original pressing avoids the further loss of dynamic range common in later remasters that prioritize loudness over clarity.