Here, Metheny stops focusing on pitch and focuses entirely on time . It is a one-string etude where the notes are all the same, but the rhythm shifts from 16th notes to quintuplets to septuplets without a meter change.
Below are three representative warm‑up patterns you’ll often see in this PDF. I’m describing them without reproducing any copyrighted notation. Here, Metheny stops focusing on pitch and focuses
While the original book is a commercial product (and you should buy it to support Pat!), the circulating PDF resources highlight three key types of exercises: Here, Metheny stops focusing on pitch and focuses