One of Lhote’s most famous concepts is the passerelle . In a painting, the eye tends to jump from a tree in the foreground to a mountain in the background, ignoring the empty space in between. Lhote demanded "bridges"—a dark rock, a specific shadow, or a line of grass—that visually connect the foreground to the background, creating a continuous, legible path for the viewer's eye.
André Lhote once wrote, "To paint a landscape is to invent a landscape." With this treatise, you will learn the rules of that invention, becoming not just a copyist of nature, but a true composer of space. tratado del paisaje andre lhote pdf
Entre los principios fundamentales que Lhote establece para la pintura de paisajes se encuentran: One of Lhote’s most famous concepts is the passerelle