The accompanying 2002 documentary, directed by Paul Justman, humanizes this material by showing contemporary bassists (Bootsy Collins, Geddy Lee, Flea) react with awe to Jamerson’s isolated tracks.
: Covers Jamerson's gear, specifically his 1962 Fender Precision "Funk Machine" with flat-wound strings, and his use of "the hook" (playing with just the index finger). james jamerson standing in the shadows of motown pdf best