The romantic comedy was particularly brutal. Male leads like Jack Nicholson or George Clooney could age into silver foxes paired with co-stars thirty years their junior. Meanwhile, women like Meg Ryan or Julia Roberts were pushed aside as "too old for romance" by their late 30s.
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Historically, film theorist Laura Mulvey coined the "male gaze," suggesting that women in cinema were often presented as objects of visual pleasure. When that pleasure was deemed to have faded with age, the character disappeared. The romantic comedy was particularly brutal
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Actresses like Meryl Streep (who famously noted that after 40, she was offered only "witches and hags") and Susan Sarandon became rare exceptions—lighthouses in a dark sea of irrelevance. For every Something's Gotta Give (where Diane Keaton was still framed as a sexual anomaly at 57), there were a thousand scripts where the "mother of the bride" was the ceiling.