The song’s rhetorical core — repeated assertions like “It’s like that, and that’s the way it is” — functions as both statement and refrain, an acceptance of harsh realities but also a communal affirmation. In the context of 1980s New York, the track resonated as a factual snapshot: high unemployment, urban decline, and the crystallization of hip‑hop as the voice of marginalized youth. Its aesthetic matched its content: unadorned, percussive, and confrontational.
It was bleak, brilliant, and a far cry from the party rhymes of the Sugarhill Gang. For fourteen years, that version lay dormant in the hip-hop canon—respected, but not a dance anthem. run dmc jason nevins its like that raxon e
: Raxon’s version reimagines the 1997 hip-house anthem with a darker, driving electronic edge suited for modern techno and house floors. Release and Availability The song’s rhetorical core — repeated assertions like
The of "It's Like That" breathes new life into the 1997 club anthem by Run-D.M.C. and Jason Nevins It was bleak, brilliant, and a far cry
The Evolution of a Classic: Run DMC vs. Jason Nevins (Raxon Edit)
There are three prevailing theories among collectors:
Around the 2-minute mark, where the Nevins original would drop into a smooth filtered riser, the Raxon E version throws in a distorted, lo-fi synth stab and a bar of silence before the beat crashes back. It’s jarring at first, but effective live.