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Indonesian entertainment has undergone a seismic shift over the past decade, moving from a centrally controlled, television-dominated landscape to a fragmented, user-generated digital ecosystem. This paper examines the evolution of popular videos in Indonesia, focusing on three key phases: the hegemony of sinetron (soap operas) and variety shows on free-to-air TV; the transitional role of YouTube in creating a new class of micro-celebrities; and the current dominance of short-form video platforms like TikTok. It argues that while digital platforms have democratized content creation and amplified local creativity, they have also introduced challenges regarding media regulation, cultural homogenization, and attention economy metrics.

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Indonesia has one of the most active social media populations in the world. Several key factors drive video content to the top of the charts: Indonesian entertainment has undergone a seismic shift over