to reflect the social pressures and internal struggles of the characters [10, 11]. Trilogic Context : It is the second film in an informal trilogy, preceded by Days of Being Wild (1990) and followed by (2004) [5]. Cinematic Technique
Captured by cinematographers Christopher Doyle and Mark Lee Ping-bing, the film is famous for its use of framing through doorways and mirrors, reflecting the characters' entrapment by societal norms. in the mood for love archive.org
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