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In most film industries, a river is a prop. In Malayalam cinema, the landscape is a co-writer.

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Filmmakers like Dileesh Pothan, Aashiq Abu, and Lijo Jose Pellissery stopped treating the audience like children. They brought the language of the streets to the screen. The dialogues weren't dramatic monologues anymore; they were the witty, cynical, and often dark humor of the Malayali everyman. In most film industries, a river is a prop