Aiko Tanaka had been trained to smile since she was three. Not a natural, gappy toddler grin, but a manufactured one—eyes crinkled into perfect half-moons, lips parted exactly 7 millimeters to show her canines. Her mother, a failed idol from the 90s, called it the “Nekko Smile.” It was the entry ticket to the world of Jimusho —the talent agencies that ruled Tokyo with a velvet-gloved iron fist.
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