His solution was to bake the chaos into the vector outlines themselves. The result is a font file where the splatters are not separate elements but part of the actual letterform. This means no masking, no clipping paths, and no raster textures—just pure, scalable vector splatter.
It works well as a base for 3D chrome effects or "melted metal" textures in software like Blender or Photoshop. How to Style Splaat in Graphic Design splaat font