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The film also explores the concept of "sin" through its portrayal of poverty and inequality. San Cayetano is depicted as a town trapped in a cycle of neglect, where the wealthy clergy and ruling class hoard resources while the poor suffer. Amaro’s crime—a theft from the bishop—becomes a desperate protest against this injustice, blurring the line between victim and perpetrator. Carrera uses stark visuals (e.g., barren landscapes, dimly lit interiors) to emphasize the spiritual desolation of the community.

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